Patiala, Punjab – October 24, 2024 – The International Kirtan Conference on Hermeneutics of Divine Soundscapes: Decoding the Musical Signatures of Sri Guru Granth Sahib concluded its transformative three-day gathering from October 22 to 24, 2024, at Punjabi University, Patiala. The event, organized by the Bhai Vir Singh Chair at Punjabi University and the Nad Music Institute (USA), attracted over 1,000 in-person participants and more than 275 registered attendees from 19 countries, including the United States, Canada, Australia, New Zealand, the United Kingdom, France, Germany, Malaysia, Pakistan, Mexico, the UAE, and India.
In addition to the academic discourse, the evenings were enriched by soul-stirring Kirtan performances. Day 1 featured Dr. Alankar Singh, Head of the Gurmat Sangeet Department at Punjabi University, and Bhai Gurmat Singh Shant, Hazuri Ragi of Sri Harmandir Sahib, Amritsar, whose performances fostered a contemplative spiritual atmosphere.
Day 2 culminated in a mesmerizing Kirtan Diwan led by Bhai Satninder Singh Badal and Bhai Kultar Singh Bhai Swaran Singh, Hazuri Ragi of Gurdwara Bangla Sahib and Sis Ganj Sahib, New Delhi, whose artistry in weaving tradition with contemporary expressions left a lasting spiritual impact on all attendees.
The conference’s thematic structure focused on the historical evolution of Gurbani Kirtan, its current relevance, and visionary discussions regarding its future. Participants from around the globe transcended geographical boundaries, emphasizing the universality of the spiritual messages embedded in Sikh music.
Notable presentations included contributions from esteemed scholars such as Dr. Francesca Cassio (USA) and Dr. Harjinder Singh Lallie (UK), whose insights deepened the discourse on Sikh musicology, history, and sacred music traditions. In her keynote speech titled “Repositioning Gurbānī Sangīt in the Context of South Asian Musical Literature and Practices,” Dr. Cassio addressed the impact of colonial approaches on the study of South Asian music, emphasizing the need to reclaim Gurbani Sangit within Sikh heritage.
This landmark conference underscored the enduring significance of Sikh music and its ability to transcend time and space. By honoring the past and envisioning a future where Gurbani Kirtan continues to inspire spiritual journeys worldwide, the conference set a new standard for academic and spiritual engagement within the Sikh community.
Conference Director Dr. Jaswinder Singh emphasized the university’s role as a neutral platform for diverse perspectives in Gurbani Kirtan, highlighting the potential for future research and collaborations. Conference Co-Director Dr. Manjit Singh also announced plans for ongoing partnerships with students, experts, and organizations dedicated to the research and teaching of Gurbani Kirtan.
Looking ahead, the conference laid the groundwork for several initiatives aimed at preserving and expanding the tradition of Gurbani Kirtan:
1. Publishing the conference proceedings and video recordings for wider dissemination.
2. Establishing an international collaborative research network on Sikh musicology.
3. Initiating academic exchange programs for students and emerging scholars focused on Gurbani Kirtan.
4. Expanding public engagement through workshops, seminars, and online courses exploring music, spirituality, and cultural identity.
5. Proactively educating about career opportunities for Sikh music practitioners.
For more details about the conference and upcoming initiatives, please contact info@nadmusic.org or visit the Nad Music Institute website at www.nadmusic.org.